EGO DEPTHS
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supported by 4 fans who also own “SADAG”
The reason is summarized in the reason why I love extreme doom: it's a matter of focus, intentions that never get diverted from one nature: the appeal for doom, and all emotions, visions, states of being the term implies.. It's a one-colour core that makes the whole. The limits of Arche's music embraces all doom is about; how can I not be very pleased with that?
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supported by 4 fans who also own “SADAG”
Powerful, plaintive expression of the fathomless sorrow of our suffering cetaceans and their depthless home, together with the indescribable loveliness of their distant blue-black realm. I feel as much interstellar space here as I do deep ocean, equally crushing and buoying.
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supported by 4 fans who also own “SADAG”
One of the greatest metal albums ever birthed, Antikatastaseis is a towering achievement and not to be underestimated. Essential.
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A blackened doom concept record about the very real problem of amphibian extinction, “Croak” is a punishing, essential listen.
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Vicious funeral doom from Portugal, “Ossadas” hammers away like a rain of comets, fiery & relentless.
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Joseph Hawker subverts the musical and sociopolitical status quo with a black metal triptych that's as incendiary as it is impressionistic.
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