EGO DEPTHS
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Hundrað þúsund þrælar – Part I
by Dauðaró
supported by 7 fans who also own “Emanation...(...off pain)”
Music is really good, the vocals go with what's being played. Slow and majestic. Goes into a bit harder towards the end and then brings back slow and majestic but with more volume.
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supported by 7 fans who also own “Emanation...(...off pain)”
Mizmor is one of my favorite bands. So versatile and dynamic and best artist to create vast variety of tangible atmospheres. Yodh is a bountiful album that sails the ocean of sore emotions arousing psyche's hidden parts. Perfect unholy marriage of mystic, brittle acoustics and limbo-quaking heaviness.
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supported by 7 fans who also own “Emanation...(...off pain)”
NONE a opéré un virage dans Where Life Should Be et ça se confirme davantage dans Damp Chill of Life. Le temps des métaphores est révolu : l'humidité froide, c'est celle des larmes qui coulent sur le visage à cause de la dépression. Tout pleure dans cet album : les guitares typées DSBM grésillent, les solos ("The Damp Chill of Life", "It's Painless To Let Go") sont liquides et coulent, les voix prennent à la gorge ; même le piano, étranglé par les sanglots ("Cease"), est aphone. Insoutenable...
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A blackened doom concept record about the very real problem of amphibian extinction, “Croak” is a punishing, essential listen.
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Vicious funeral doom from Portugal, “Ossadas” hammers away like a rain of comets, fiery & relentless.
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Joseph Hawker subverts the musical and sociopolitical status quo with a black metal triptych that's as incendiary as it is impressionistic.
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supported by 6 fans who also own “Emanation...(...off pain)”
PSA: if there was an album you heard a couple years ago and thought it was ok, listen to it again and you might love it. That's what happened to me with this album. I cannot fathom why it didn't stick with me back then. Same thing happened with Decoherence's Unitarity for that matter.
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